'Moneyball,' 'Abduction' & 'Dolphin Tale' Reviews

'Moneyball,' 'Abduction' & 'Dolphin Tale' Reviews

Which movies are fun for the whole family and which ones are treats just for you? Find out!

In theaters now:

Moneyball
Short Story:
Based on Michael Lewis' nonfiction book of the same name, Moneyball tells the story of Oakland A's general manager Billy Beane (Brad Pitt). Forced to reinvent the A's on a tight budget, Billy teams up with Ivy league graduate Peter Brand (Jonah Hill) to recruit players the scouts refer to as "flawed," challenging the big-money approach to baseball and revolutionizing the game in the process.

What They're Saying:
"It really happened, it's really corny, and it's really great." -- Village Voice

"[It] may be the first baseball film to tap into the thrill of strategizing -- of manipulated cause and effect -- as entertainingly as you'd expect from a movie about chess or a casino heist." -- Entertainment Weekly

Good for Kids?
The film is rated PG-13 for some strong language and might be tough for children to understand, but baseball fans from 13 to 130 will love it, especially since it boasts an all-star cast at the top of their game and rave reviews from critics.

Watch the preview!

Abduction
Short Story:
Nathan Harper (Taylor Lautner) has always had a feeling that he was living someone else's life. His worst fears become reality when he finds his childhood picture on a missing person's website, and soon finds himself on the run from a team of lethal assassins. With the help of his neighbor Karen (Lily Collins), he begins to piece together clues to his true identity -- and ultimately realizes that he must stop running and take the fight to his enemies. 

What They're Saying:
"Abduction falls in the same corner of the youth market as the Twilight movies. Some moments and many lines feel cribbed from that series." -- Orlando Sentinel

"Last I checked, tweenage girls weren't too keen on this genre, and the boys who normally would be a fan will likely be disappointed by (Abduction's) bloodless, stagnant lameness." -- Quickflix

Good for Kids?
Despite less-than-impressive reviews, this action-thriller should prove perfect for the teenage audience that loves Lautner for his work in the Twilight films. But it's it's rated PG-13 for some sexual content and scenes of violence, which Common Sense Media says  includes shootings and beatings. Read the full Common Sense review!

Watch the preview!

Killer Elite
Short Story:
Former British SAS agenet Danny (Jason Statham) is forced into action when his mentor (Robert De Niro) is kidnapped by the leader of a secret military society (Clive Owen).

What They're Saying:
"This is actually a pretty good thriller, based more on character and plot than on action for its own sake." -- Chicago Sun-Times

"And quite the cliché-ridden desultory mess it is, too..." -- MSN Movies

Good for Kids?
If you're looking for more of an adult action film than Abduction, Killer Elite has your name written all over it. But with scenes of intense violence, foul language and some sexuality, this one certainly isn't for kids or tweens. 

Dolphin Tale
Short Story:
Based on an inspiring true story, the film tells of a young bottlenose dolphin named Winter who loses the bottom portion of her tail when she's caught in a crab trap. A vet (Harry Connick Jr.) rescues Winter and transports her to Clearwater Marine Hospital in Florida, where a young boy befriends her and enlists those around him -- including his mom (Ashley Judd) and a doctor (Morgan Freeman) -- to create a prosthetic tail for Winter... inspiring everyone along the way.

What They're Saying:
"Kids are going to eat this up. Given what a dismal year it's been for the family film, it's likely their parents will, too." -- TIME magazine

"Winter is friendly, loving, emotional, playful, brave and intelligent. Before her Dolphin Tale is over, I dare even the most jaded cynic not to shed a tear of admiration and joy." -- New York Observer

Good for Kids?
After a dismal summer for family films, here comes the perfect movie for young kids and their parents -- with a message that's inspiring and uplifting for all! Common Sense Media says this "family-friendly drama should especially appeal to young animal lovers." Read to full Common Sense review!

In case you missed:

I Don't Know How She Does It
Short Story:
Kate Ready (Sarah Jessica Parker) is a finance executive during the day and a wife and mother at night. Happily married to unemployed architech Richard (Greg Kinnear), Kate must juggle the responsiblies of a modern-day working mom. Although she usually manages to come out on top with the support of her best friend Allison (Christina Hendricks), things get complicated when she lands a lucrative deal with a flirtatious new client (Pierce Brosnan).

What They're Saying:
"Parker reminds you what a dizzy, all-in, high-risk comic actress she can be when she's not too busy showing off the couture." -- New York Magazine

"I don't know why she does it." -- Entertainment Weekly

Good for Kids?
This film is great for moms trying to do it all, especially those needing a trip to the theater! With a rating of PG-13 for sexual references, though, the movie is better for teens than the little ones. Common Sense Media says viewers may find the concept relatable as it centers around the story of an absentee partent.  Click to read the full Common Sense review!

Drive
Short Story:
Driver (Ryan Gosling) leads a double life. During the day he is a stunt man for movie productions, but when the sun goes down he's the getaway driver for armed heists. But when he falls in love with the beautiful Irene (Carey Mulligan) and agrees to a job with Irene's ex-convict husband (Oscar Isaac), the heist goes sour and he finds himself fleeing for his life. 

What They're Saying:
"Here is still another illustration of the old Hollywood noir principle that a movie lives its life not through its hero, but within its shadows." --Chicago Sun-Times

"Drive revels in sensory detail; it's a visually and aurally edgy Euro-influenced American genre movie about the coolness of noir-influenced American genre movies about the coolness of driving -- especially in L.A." -- Entertainment Weekly

Good for Kids?
Though the film has been greeted with great reviews and already won an award for best director at the Cannes Film Festival, Common Sense recommends Drive for ages 17 and above only. Although this drama starts quietly it eventually "contains shocking amounts of violence." But that shouldn't stop women from checking out the film, which features Ryan Gosling at his smoldering best! Read the full Common Sense review! 

Straw Dogs
Short Story:
In this remake of the 1971 Sam Peckinpah classic (which starredDustin Hoffman), Hollywood screenwriter David Sumner (James Marsden) and his wife Amy (Kate Bosworth) return to Amy's small hometown in the South after her father passes away. But as they prepare the family house for sale, and old conflict with Amy's ex-boyfriend Charlie (Alexander Skarsgard) is reigniting, leading to a violent -- and deadly -- seige of Amy's family home. 

What They're Saying:
"(Director Rod) Lurie wants us to see the moral wounds that come from losing control, a solid reason for a remake. Both takes on Straw Dogshold up a dark mirror to humanity. Choose your own bad medicine." --Rolling Stone

"The filmmaker's ham-fisted attempts to supply some socio-political relevance to such intractable material finally lands him in a deeper, murkier swamp..." -- MSN Movies

Good for Kids?
If you're looking for a scare and a hot young cast, this movie is a must-see. But don't even think about bringing the kids! Rated R for strong, brutal violence and sexual content, Straw Dogs is officially for adults only. 

Source: http://www.ivillage.com/moneyball-abduction-dolphin-tale-reviews/1-a-385021

Maggie Grace Larissa Meek Jenny McCarthy Izabella Miko Xenia Seeberg

Kelly Clarkson: iHeartRadio Music Festival Fabulous

Joining the many stars taking the stage in Las Vegas, Kelly Clarkson performed during day one of the iHeartRadio Music Festival on Friday night (September 23).

The "American Idol" alum confidently belted out an array of her hit songs at the MGM Grand Garden Arena venue including her brand new single "Mr Know It All".

Miss Clarkson joined a full slate of talent partaking in the first running of the iHeartRadio Music Festival - as Carrie Underwood, Jay-Z, Coldplay and the Black Eyed Peas were among other acts on-hand for the music extravaganza's opening night.

The two day Sin City showcase will close out on Saturday with top names such as Lady Gaga, Nicki Minaj, Kenny Chesney and Jennifer Lopez.

Source: http://celebrity-gossip.net/iheart-radio-music-festival-2011/kelly-clarkson-iheartradio-music-festival-fabulous-546542

Rachel Hunter Salma Hayek Kasey Chambers Naomi Watts Jennifer Scholle

Brad Pitt's "Moneyball": In Theaters Now!

Offering up the big screen adaption of the Michael Lewis book, Brad Pitt's "Moneyball" arrives in theaters today (September 23).

The sports based flick tells "the story of Oakland A's general manager Billy Beane's successful attempt to put together a baseball club on a budget by employing computer-generated analysis to draft his players."

In addition to Pitt's A-list prowess, the film also features co-stars Philip Seymour Hoffman, Robin Wright and Jonah Hill.

During a recent interview with Nation Post, Brad dished about the movie and how it provokes a new way of thinking, as he explained, "You understand that, sometimes when we?ve been doing it one way for so long, we forget to question why. Why are there norms? And what was the original context?"

Source: http://celebrity-gossip.net/moneyball/brad-pitts-moneyball-theaters-now-546488

Heidi Klum Coco Lee Christina Applegate Daisy Fuentes Emma Watson

'Moneyball': The Reviews Are In!

Critics herald the baseball flick as 'the prime Brad Pitt movie.'
By Kara Warner


Brad Pitt in "Moneyball"
Photo: Columbia TriStar

On paper, "Moneyball" is a movie that sells itself. It's based on a best-selling book about our national pastime, the screenplay for which was adapted by Oscar winners Aaron Sorkin and Steve Zaillian, and it stars Brad Pitt, in all his handsome, charming splendor, as Oakland A's general manager Billy Beane. Throw in a killer supporting cast that includes Jonah Hill, Philip Seymour Hoffman and several real-life ball players, and you've got the makings of a hit.

With a 94 percent certified fresh rating on Rotten Tomatoes, "Moneyball" seems to be a solid winner with critics. So take an early seventh-inning stretch and settle in for some sports clichés as we sort through the "Moneyball" reviews!

The Story
"A sports-centric come-from-behind drama that harbors profound truths under its self-effacing grin of an exterior, 'Moneyball' is a movie of such loping, unforced ease and solid entertainment value that it's easy to take its gifts for granted. [Director Bennett] Miller barely puts a foot wrong in bringing to life the tale of Oakland A's general manager Billy Beane, who in 2002 — competing against teams with three times his payroll — sought to rebuild the slumping A's and revolutionize baseball recruiting using 'Sabermetrics,' a system by which players are chosen based on who gets on base most often. That approach sounds so simple as to be self-evident. But in 'Moneyball,' such logic runs afoul of Beane's old-school scouts, who are played in the movie by a colorfully grizzled collection of character actors and some real-life baseball veterans. Their banter, in which they refer to players' jaw lines and girlfriends while they decide whom to hire, lends 'Moneyball' a thoroughly enjoyable through-line of tough, vernacular wit. What's more, that plain-spoken charm couches a far deeper conceptual point: that objective truth not only exists but matters, even at a time when it's continually being trumped by superstition, 'feelings' and irrational belief." — Ann Hornaday, The Washington Post

The Brad Pitt Factor
"If Pitt's role in 'Moneyball' is more of a conventional star turn than his career-shifting performance as the stern 1950s father in 'The Tree of Life' (for which he emphatically deserves awards but won't win any), it's still terrific. He's on-screen in almost every scene, often filling it up in extreme close-up, and captures the bluff, buff and shrewd Beane, a washed-up jock who embraced an unorthodox statistical philosophy through sheer necessity, with great wit and physicality. (Let me throw in that 'Moneyball' is a delirious study of bad early-2000s guy fashions and haircuts, which may elude some of the audience but is definitely conscious.) Let me hasten to assure you that 'Moneyball' isn't all that much of a baseball movie, although fans of the national pastime will of course rush to see it. It's a prime Brad Pitt movie — arguably the prime Brad Pitt movie — and an American fable about a battered but lovable divorced dad who defies conventional wisdom and beats the odds." — Andrew O'Hehir, Salon.com

The Book-to-Film Comparison
"The big-screen adaptation of Michael Lewis' engaging 2003 book is also filled with compromises. Someone crammed 'Major League'-style sports clichés into a more nuanced story about baseball and progress — and then tried to fit a Brad Pitt star vehicle inside of that. The result is an interesting but frustrating near-miss. Chronology and context are mucked with liberally. This happens in almost every sports movie based on real events, although A's fans will be blown away that Tim Hudson, Barry Zito and Mark Mulder and their combined 57 wins in 2002 are scrubbed from existence here. Of the three, only Hudson gets a cameo, and he blows his start." — Peter Hartlaub, San Francisco Chronicle

The Final Word, Pro-Con Style
"Bennett Miller's' Moneyball' — adapted by Aaron Sorkin and Steven Zaillian from the nonfiction book by Michael Lewis — is a sports movie for people who don't like sports movies. I know this is true because I enjoyed it. ... Cinematographer Wally Pfister's deliberately unglamorous presentation of the A's dilapidated clubhouse is a long way from the gold-and-sepia tones of Barry Levinson's 'The Natural.' 'You can't help but be romantic about baseball,' Billy observes to Peter, even as he's being reviled by his own organization for his supposedly bloodless reliance on the stats. It's to the director's credit, and Pitt's, that 'Moneyball' is anything but bloodless — in its own quiet, unspectacular way, this movie courses with life." — Dana Stevens, Slate.com

"The downside of Pitt's triumph is that it unbalances the movie, throwing more of the focus on Billy than the team. To put 'Moneyball' over the fence, Miller and his writers needed to make something else hit home: the meaning of the on-base percentage. What does it say about a player who can't throw far, can't steal a base, rarely hits a ball over the fence, and yet can be as great an asset as a future Hall of Famer? Instead of answering that question — and dramatizing how wins can be built from unflashy players working in sync under a manager who understands 'small ball' — Miller shifts into montage mode (They won! They won again! They're on a streak!), as if Beane and Brand had written a computer program that was running to its inevitable conclusion. That, of course, leaves the team's manager, Art Howe (played by Philip Seymour Hoffman, maybe to pay Miller back for helping him win an Oscar in 'Capote'), a cipher, a nonpresence on and off the field. 'Moneyball' has everything but team spirit." — David Edelstein, New York

Check out everything we've got on "Moneyball."

For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com.

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Source: http://www.mtv.com/news/articles/1671276/moneyball-reviews-brad-pitt.jhtml

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'X Factor': Simon Cowell X's Out Xander Alexander

But Melanie Amaro wins the judges over with a powerful Beyoncé cover.
By Adam Graham


Paula Abdul, L.A. Reid, Nicole Scherzinger and Simon Cowell on "The X Factor"
Photo: Ray Mickshaw / FOX

If Wednesday night's "X Factor" premiere focused primarily on positive auditions and warm-and-fuzzy backstories, Thursday's (September 22) episode upended that formula by highlighting failed singers and auditions that went nowhere.

The episode began in Miami, where not even a pep talk from Gloria Estefan could rile up any good fortune for the masses. A parade of hapless singers marched before the judges, with some of their stories backed by the sort of cozy instrumental beds that usually foreshadow a pass from the judges, only to have them, in the end, not quite pass muster with Simon Cowell and his crew. It wasn't until halfway through the first hour when the first singer was given the thumbs up to go to the next round.

That contestant was 21-year-old Nick Voss, who sported a modified Vanilla Ice haircut and looked a bit like onetime "One Tree Hill" hunk Tyler Hilton. With a hip-swiveling version of Elvis Presley's "Trouble," he impressed L.A. Reid, got Simon Cowell to say he "loved" him and prompted Nicole Scherzinger to dub him "Jim Carrey meets Jerry Lee Lewis, with a sprinkle of Elvis." He earned a green light to the next round.

Following a quickie montage of singers who made it through — including girl group 2Squar'd, soprano Jeremiah Pagan and bearded music instructor Brendan O'Hara — viewers were introduced to Melanie Amaro, the evening's standout who stopped the room cold with her impassioned take on Beyoncé's "Listen." Amaro wasn't given a hard-luck backstory or presented as a singer making her last ditch effort to sing for her life; she was simply a solid performer with strong vocal chops who managed to knock out the judges with her voice. Said Reid: "You have the gift, you have the soul, you have the spirit, you have the swagger. You have the X factor." Paula Abdul said Amaro's vocals were like nothing she's ever heard "in any audition that I've ever been on," and Cowell went so far as to say singers like Amaro were the reason he brought "The X Factor" to the United States. And instantly, the competition's early front-runner was born.

The second hour came from the show's Dallas auditions, with more hopeless singers appearing before the judges. A good deal of time was spent on the story of Dexter Haygood, a 49-year-old entertainer who could give Wednesday contestant Siameze Floyd a run for his money in the would-be James Brown department. The discovery of Dallas was 21-year-old Caitlyn Koch, a rugby player in her off-time who reinvented the Supremes' "Stop! In the Name of Love" as a piano ballad, the first time we've seen a singer do a top-to-bottom makeover on a song so far. Koch was given four "yes" votes from the panel and lived to see another day.

Thursday's episode closed with a singer who called himself Xander Alexander, a sassy 27-year-old who claimed he wanted to be "the next Donald Trump meets Martha Stewart without the jail time, meets Britney Spears meets Beyoncé without the ugly husband." He has a way with words, we'll give him that, but ultimately his tongue got him in trouble with Cowell, who didn't appreciate his constant backtalk (at one point, he referred to Cowell as "Simone"). Alexander's segment looked like it was going to build toward a happy ending for the performer despite his toxic attitude, but the judges pulled the rug out from underneath him at the last minute by not sending him through and ending the episode on a down note. Maybe we don't know everything there is to know about this show yet after all.

What did you think of Thursday's episode of "The X Factor"? Let us know in the comments!

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Source: http://www.mtv.com/news/articles/1671246/x-factor-miami-dallas-recap.jhtml

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Wanda Sykes Talks Breast Cancer, Double Mastectomy


Appearing on Ellen this week, Wanda Sykes opened up about a deeply personal, scary experience from earlier this year: the comedian was diagnosed with breast cancer.

She visited a doctor in February to undergo a breast reduction and, following a bit of lab work, was told she had ductal carcinoma in situ her left chest.

"I was very, very lucky because DCIS is basically stage-zero cancer," Sykes said.

Wanna Sykes on Ellen

Sykes was given a choice: Undergo a mammogram and MRI every three months to check on the disease - or have a bilateral mastectomy. She chose the latter because she now possesses "zero chance of having breast cancer," and also, the actress joked, because:

"I'm not good at keeping on top of stuff. I'm sure I'm overdue for an oil change and a teeth cleaning already."

Sykes is the mother of two-year old twins with her partner and said she wasn't sure about telling the world about her ordeal.

"I was like, I don't know, should I talk about it or what? How many things could I have? I'm black, then Lesbian. I can't be the poster child for everything.

"At least with the LGBT issues we get a parade, we get a float, it's a party. I was real hesitant about doing this, because I hate walking. I got a lot of [cancer] walks coming up."

LOL. We're very glad to hear that Wanda will be okay.

Source: http://www.thehollywoodgossip.com/2011/09/wanna-sykes-talks-breast-cancer-double-mastectomy/

Hayden Panettiere Emilie de Ravin Rosario Dawson Mischa Barton Ana Paula Lemes

MTV Exclusive: Lady Gaga To Premiere Film At Paris Fashion Week

Singer will debut the film during the Mugler fashion show.
By Jocelyn Vena


Lady Gaga in a tease for her short film
Photo: Mugler

Lady Gaga is set to give her Little Monsters a big surprise at Paris Fashion Week next Wednesday. MTV News can exclusively announce that Mother Monster will debut a brand-new short film during the spring/summer 2012 fashion show for the Mugler Women's Wear Collection in Paris next week.

The film was directed by "Yoü and I" fashion-film directors and fashion photographers Inez van Lamsweerde and Vinoodh Matadin under the creative direction of Nicola Formichetti, Mugler's creative director and Gaga's stylist.

The film will feature a previously-unreleased remix of one of Gaga's songs. For those not lucky enough to attend, a special edit of the film will drop the following day online. In an exclusive behind-the-scenes still, fans are teased with a peek at Gaga's face and her long, straight blond hair. In addition, starting Monday, Mugler.tumblr.com will feature live blogging from Mugler's Atelier.

While little is known about what the Haus of Gaga have up their sleeve for this latest film, the clapper board does reveal some hints. The date on the board is 09.20.2011, perhaps a hint as to when Gaga, Formichetti, and Inez and Vinoodh shot the video.

This isn't the first time Gaga and Mugler have collaborated in this way. Besides the fact that Formichetti is her stylist, she's also given fans brand-new music at his shows. In January, she debuted a remix of her Born This Way track "Scheiße" at a Mugler fashion show. Then in March, Gaga not only walked in a Mugler show, she also debuted her song "Government Hooker" during the same show.

Experts agree that the Mugler/Gaga relationship is one of the best in the business. "Gaga working with people like Nicola Formichetti has allowed designers like him and like the late Alexander McQueen to step out of the world of high fashion, which is often perceived of as elite, and become part of the mainstream music landscape as she's used high fashion to build her own personal musical narrative," MTV Buzzworthy blog editor Tamar Anitai said.

MTV Style blog editor Mary H.K. Choi calls their work together "a pop culture moment. ... I think we can all agree that Lady Gaga's relationship with Nicola Formichetti has been entirely synergistic," she said. "When she walked the Mugler runway in Paris last season, not only did she model with aplomb, but her debut of 'Government Hooker' galvanized the show as a pop culture moment. The clothing was beautiful, granted, very much the sexy, bombastic Mugler aesthetic of the '80s and early '90s, but the confluence of Gaga, her music and Formichetti — all streamed live on Facebook — made the collection a must-see event."

For more on Lady Gaga and her style, visit Style.MTV.com.

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Source: http://www.mtv.com/news/articles/1671251/lady-gaga-short-film-mugler-fashion-week.jhtml

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Nirvana Recall The Other 'Smells Like Teen Spirit' Video

Kurt Cobain was disappointed with the first version — so he went in and edited it himself.
By Gil Kaufman


Kurt Cobain
Photo: MTV News

It's one of the most iconic videos in music history, up there with Michael Jackson's "Thriller," Madonna's "Like a Virgin" or Lady Gaga's "Bad Romance." But to hear late Nirvana singer Kurt Cobain tell it, he wasn't that happy with how the final version of "Smells Like Teen Spirit" turned out, which is why he went in at the last minute and tweaked it himself.

"Although it worked ... I like the video overall, but it wasn't what I pictured in my mind," Cobain said in a December 13, 1993, interview with MTV News about the clip that helped launch a rock revolution and turned his band into unwitting grunge poster children. "When I come up with an idea for a video, I want it to be translated exactly how I see it in my mind ... and it just wasn't that way."

Nirvana's rise to fame, in their own words.

Cobain — who was notoriously hands-on with all the imagery associated with the band, including creating the artwork for their album covers — said Nirvana just didn't take enough time to prep themselves for the shoot.

"We didn't prepare ourselves enough to have as much control as we wanted to," he explained, perhaps alluding to the fact that the clip was the first one the band filmed after making the huge leap from cash-strapped Seattle indie label Sub Pop to major label Geffen/DGC as a still mostly unknown new act.

Cobain described walking in on the first day of shooting of the video — for the first single from what would become their smash breakthrough, 1991's Nevermind — with director Sam Bayer (Green Day, Justin Timberlake, The Strokes) and realizing that the set did not look as he had imagined or drawn in his storyboarding for the clip. "I told him what I wanted, I drew pictures of it, and I walked in and it wasn't what I wanted," Cobain said. "It looked like a Time-Life commercial to me, with that backdrop, it just looked like such a contemporary ... you know those kind of commercials where people are sitting there trying to sell aspirin or something? Or an AT&T commercial? That's what it looked like to me; it looked too contemporary."

Even though he was disappointed with the look of the set, Cobain had high praise for the super-jacked real fans who were trucked in to fill out the bleachers in the studio for the exhausting 12-hour shoot. "Still, the kids made the video," he said. "Even after Sam had edited it ... he edited it and sent it to me and I didn't like it, and I flew down at the last minute to L.A. and edited it myself. I threw in a few extra things which pretty much saved it."

Reluctant to toot his own horn (while, you know, totally tooting his own horn), Cobain added that there was "a lot of really good" footage that Bayer had shot that wasn't used. "If a lot of that hadn't been used, it would have been a really bad video," he laughed, alluding to the shots of the (over) excited kids trashing the set. "There wasn't really a lot of that, and most of the stuff that was used looked really contrived. There was no spontaneity in it. So I just threw all the spontaneous parts in."

Stick with MTV News all week as we reveal the Nevermind You Never Knew, celebrating the 20th anniversary of Nirvana's definitive album with classic footage, new interviews and much more.

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Source: http://www.mtv.com/news/articles/1671224/nirvana-kurt-cobain-smells-like-teen-spirit.jhtml

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